Artforum: Richanda Rhoden

Richanda Rhoden’s story ended like many others. Her husband’s work found its way into a permanent collection after his death, following a life full of admirable exhibitions and honors. His New York Times obituary mentions her only as his wife. Her obituary in the Brooklyn Heights Press (the Rhodens’ neighborhood publication) mentions him, his work, and finally her “very beautiful paintings,” most of which never left their house—aside from the dozen or so that were selected by her neighbor, Emily Weiner (one of Soloway’s cofounders), for this posthumous first exhibition…

Artforum’s Mira Dayal reviews Rhonden’s show.